Rating: ****1/2
Starring: Erwin Leder, Robert Hunger-Bühler and Silvia Rabenreither
The fear in her eyes and the knife in the chest. That's my last memory of my mother. That's why I had to go to prison for four years, even though she survived.
If you think American Psycho (2000) as too tame or Henry: Portrait of a Serial Killer (1986) was a little too silly, then I have no choice but to tell you the tale of Angst (1983).
After serving four years for attempting (or successfully murdering his own mother, an unnamed psychopath finds himself so used to being imprisoned that he tries to get back in no soon after he was released. Plotting murder, the man tried strangle a taxi driver but fails, prompting him to flee into the woods until he walked into a secluded house. Breaking in, he studied each room and encounters a retarded and paraplegic man and his family, subduing them and proceeding to kill them one by one, both out of fear and in madness. No one was safe...
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Our nameless killer, though normal looking, did proved himself to be worthy of fear |
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Forcing us to feel and sadistically be a part of his crime, the killer voices out his thoughts regarding the details explaining his life and his reasons for doing such crimes whenever he is present, which is more unnerving from the fact that the killer was based on a real sicko, Werner Kniesek, who butchered three people just because he wanted to see fear in their eyes. Our psycho here is no different from the real life villain; he wanted fear, he needs it, and he's willing to do anything to get it, no matter how nervous and disoriented he will be and thanks to a powerful performance by Erwin Leder, who captured this nature so well, the film is no short of these emotions.
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Graphic murders such as this never stayed tame in here. |
Even with a small bodycount, the kills are pretty graphic, too; far from the easy and quick slasher murders, the crimes in Angst are clumsy, disorganized, and often painful to watch due to their prolonged nature, shot in a shaky, near-voyeuristic camera work, an innovative approach that heralded this film with quite a cinematography. A score by Klaus Schulze helped heighten the intensity of these scenes as well, though a tad retro at times, worked none the less on delivering a hopeless and nihilistic tone.
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Just as films like Maniac (1980) shocked the slasher subgenre with gritty realism, Germany's take is no wuss. Near excellent psycho-thriller, highly worth finding.
Bodycount:
1 paraplegic invalid male drowned in bathtub
1 elderly female gagged with stockings, later found choked to death
1 female stabbed to death with kitchen knife
Total: 3
Its not german, its an austrian film..that aside, great review...
ReplyDeleteoh, thanks!
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