starring: Halle Berry, Evie Thompson, Abigail Breslin
If yer reading this post right now, I'll let you know that the work I'm in the time this post was made was a support help desk representative for LG televisions and blurays. (So the next time you call that 1-800 number and hear a guy on the other line that you can't tell if it's a dude or a gal? That'll probably be me...) Though I am aware this isn't the first thriller out there to feature people behind support desks being harassed by maniacs or sociopaths (I'm sure the 2009 remake of The Taking of Pelham 123 had a guy behind a dispatcher's seat trying to reason with a badly acting John Travolta villain), albeit none of them had gone as exciting as this one. At least around the first half, though.
|Hard to believe she spent six months with the same hairdo...
Six months after the incident, Jordan seems to be getting her life back together, teaching young disptachers the dos and don'ts of a 911 dispatcher, but when the hive receives a distress call from an abducted girl in an on-going kidnapping, Jordan had no choice but to step in and try to save the girl from ending up the same fate that haunted her life since. But what Jordan doesn't know, the kidnapper himself had his own twisted plans for the girl, and he'll stop at nothing to do just that.
The first half of The Call is where most of the interesting stuff comes in; as a nail-biting thriller, The Call played it's cards right with an idea that's fresh and a well-paced execution to keep everything on track. The cat-and-mouse chase between the kidnapper and the law-enforcers as both parties tries to locate and evade one another from one source to another was the movie's main hook to keep the audiences watching in anticipation to whether Jordan will succeed or fail in an attempt to redeem her past mistake. But at some point in the middle, the film began to degrade into a familiar slasher film territory; with the kidnapper savagely, and openly, murders anybody that tries to stop him or get in his way, worst of it comes at the near end where we ended up playing a classic chase scene around the killer's own special domain, dedicated to his twisted MO, and ending the movie with a rather unsatisfying openness.
|While he may appear intimidating, our killer
slowly degrades into cliched proportions...
Despite the lame ending that's been done a few times already (those who'd seen Dead Girls (1990) or at least the first SAW would surely understand), The Call is a refreshing thriller-cum-slasher hybrid that tries to restructure what we usually know about these sub-genres; albeit nothing overly big, it hits just the right spot when in terms of crime entertainment. Worthy a viewing!
1 female bludgeoned with phone, later found dead with missing scalp
1 male stabbed to death with screwdriver
1 male doused with gasoline, burned alive
1 female succumbs to cancer (implied)
Photos (c) Google Image