Halloween (2018)
Rating: ****
Starring: Jamie Lee Curtis, Judy Greer, Andi Matichak
Black cats and goblins and broomsticks and ghosts.
Covens of witches with all of their hopes.
You may think they scare me. You're probably right.
But nothing's more frightening than a disappointing horror sequel hype!
And praise the gods, that's not the case here!
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Suffering from PTSD from the night Michael murdered her friends, Laurie is now a twice-divorced recluse, living in a gated backwoods home rigged with traps and heavy security systems, as well as enough gun supply fit for a small platoon. The interview, though, didn't go too well as Laurie fails to see the sense of understanding a pointless crime and eventually asks the interviewers to leave before heading out to meet up with her granddaughter Alyson, the only one in her family who's patient enough to reach out to her.
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And as you would expect, the bus crashes somewhere en route to the awaiting asylum, with Michael being the perpetrator and is now killing his way back to Haddonfield, Illinois to continue his murder spree. Strode gets a whip of this news so she desperately tries to convince her daughter (and Alyson's mother) Karen to move her family in to the backwoods-house-cum-panic-room for their protection, only for her panic to be talked down as another case of hysteria. For now.
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As a sequel, Halloween (2018) does a sound job keeping up with the tone of the original, paying a good amount of nostalgia and homage while respecting it enough to push the story slightly forward from your standard slasher concept of a killer loose and murdering people by breaking some of the tropes and throw a few gambling curve ball at us. At times, this work when the story focuses on certain elements such as this film's own take on Laurie Strode as a slasher villain prepper with one or two screws loose and, of course, Michael Myer's stabby rampage into and through Haddonfield where anyone can be his victim, but there are some parts of the film that definitely didn't, or at least needed a few tweaks for them to work.
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And then there's that one twist that involves Myer's current psychologist that frankly baffles me in its inclusion within the story. Again, not that this was a bad turn of events, but this twist came and went randomly at the third of the movie and it adds little to nothing to the story apart from shock value and additional casualties to the madness that is our boogeyman. I get it that this was to show how some people find the concept of evil intriguing enough to go through many lengths to study it, but I really think this should have been dabbled on in a less shlocky way.
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And of course, we cannot have a throwback-esque Halloween sequel without talking about Jamie Lee Curtis' return as a more badass Laurie Strode with a morbid and extreme yet soon-to-be justified sense of closure. Her tough-as-nails performance as a developed final girl character fits perfectly with director David Gordon Green's stab on the idea of role reversals and unconventional growth, as not only does Laurie's training and preparation to hunt the hunter meant longing vengeance against the thing that ruined her life, but also somewhat resembling her taking the mantle of the original's Ahab character Dr. Loomis, Michael's original psychologist who swore to destroy The Shape upon his escape, knowing what he is capable of. Their fears are justified, even more now seeing Myers is killing in double digits, so when it came down to the climactic showdown between her and the boogeyman once again, it's nothing short but awesome with one iconic scene from the original film that involved Michael being recreated here with Laurie in his place that had me cheekily grinning from ear to ear.
Packed with a strong soundtrack, beautiful cinematography, stylish shots and enough throwback and homages to the rest of the franchise which surprisingly includes Rob Zombie's hyper-violent 2007 remake (and its sequel) and the cult fave in-name sequel Halloween III: Season Of The Witch (1982), I'm quite happy to say that Halloween (2018) warrants the viewing of any true slasher fan and deserves its praises. Even if you're yet to see the original (though I strongly recommend you do to get the feels of this sequel), Halloween (2018) is a solid enough story of bloody mayhem and gunpowder vengeance that heartily relies on a good balance of scares, laughs and thrills on a steady run to keep a genuine horror fan happy. With treats outnumbering awful tricks, this is one triumphant return of a classic horror figure and one of the best Halloween movies in this day and age that one shouldn't miss!
Bodycount:
A number of people in a transfer bus killed in crash
1 male dies from crash wounds
1 boy beaten, had his neck snapped
1 male found dead from crash wounds
1 male found with his neck snapped
1 male bludgeoned to death with a mallet
1 male seen with his jaw ripped open
1 male beaten to death against walls and bathroom doors
1 female strangled
1 female brained to death with a hammer
1 female knifed through the neck
1 female slashed and stabbed to death with a knife
1 male found pinned to the wall with a knife through the neck
1 male pulled into gate spikes, head impaled
1 male had his head stomped
1 male found with a throat cut and a pen knife stabbed into his head
1 male found decapitated, head carved
1 male strangled to death with a chain
Total: 17+
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