WARNING: THIS BLOG CONTAINS BODYCOUNT. HIGH RISK OF SPOILERS. ENTER IF YOU DARE.

Wednesday, November 6, 2019

Some Screwed Up House Guests: Open House (2010)

Open House (2010)
Rating: *1/2
Starring: Brian Geraghty, Rachel Blanchard, Anna Paquin

Not to be confused with the cheese-tastic 1987 bodycounter of the same name or the 2018 snowbound thriller, this Open House has two well-dressed psychopaths, Lila (Tricia Helfer) and David (David Geraghty), breaking into a house that was for sale by its recently divorced couple, Alice (Rachel Blanchard) and Josh (Stephen Moyer). After sedating Alice in the cellar and murdering Josh, the two maniacs takes over the home and pose as its new tenants, leading a lot of random folks in the neighborhood into a guaranteed death trap as it appears Lila and  David have a thing for killing people.

Why the killings? Not a damn clue, but one of the killers did mentioned something about two children living in the forest getting tricked by a creature into leaving their homes only to get lost and alone, clinging on to each other but cannot fall in love because actually twins.

Wait, what?

Open House (2010) admittedly has some intriguing bits, more of it around the dynamics between the home invaders, but it gets pretty tiresome once the half mark hits and we get little to no further built-up as to what these killers want. All we get is that Lila wears the metaphorical pants between the two (not literal ones. She likes to show some legs) as David is mostly bossed around whenever he's not keeping to himself or knifing a few other people that happens to be in the way. His only act of defiance, and probably what kept this movie from being unwatchable, is keeping Alice drugged and alive, letting her out from the basement cubbyhole during the day while Lila is out and about so he can spend some time with her.

Apart from these slices of good elements, the rest of Open House (2010) is as bland and boring as a watching paint dry on an old house: you wanted to be excited because it looks good, but the crumbling estate makes you think if its even worth the hassle. That's more or less what I feel about this movie as there's nothing scary to speak here, any suspenseful scenes is predictable at its worst, and there's hardly anything creative in its kill count. Dare I say then, why bother? Precisely. The film couldn't even find an exciting ending for all the boresome bull honky we have to sit through.

Bodycount:
1 female found with a throat cut
1 male knifed on the neck
1 male knifed to death
1 female had her throat cut with a knife
1 male had his throat cut with a knife
1 female knifed to death
1 male knifed
1 female knifed on the chest
Total: 8

The Virginia Claw Massacre: Night Killer (1990)

Night Killer (Italy, 1990) (AKA "Non Aprite Quella Porta 3")
Rating: **
Starring: Peter Hooten, Tara Buckman, Richard Foster

When a slasher film you're watching is only a slasher thanks to gory re-shoots insisted upon by film producers who weren't happy with the director's original work (and said director is none other than Claudio Fragasso, who masterminded the infamous cult classic bad movie Troll 2 (1990)), you know a lot of things are bound to go South. Way down South.

In Virginia Beach, a maniac in a cheap Halloween mask and half a pair of long-nailed monster gloves is murdering women after assaulting them and it appears their next target is Melanie Beck (Tara Buckman), a house wife whose self-empowering mantra includes flashing her breasts out to rub them while watching herself in a mirror doing this. (No. Really.) One creepy caller is actually inside the house gag later, Melanie finds herself face to face with the disguised murderer who found a way into her house and next thing we know, she's in a hospital with a total mental block of what transpired after the creep got in and seemingly had their way with her.

This amnesia frustrates local cops who were hoping to have Melanie identify the attacker so they can finally make an arrest, but none of them are as miserable as Melanie herself, now thinking the only way out of a meaningless existence is to commit suicide by pills. In broad daylight. At a beach. Fortunately for her, a random guy spots her chug the pills and recognizing this as a suicide attempt, forces her (as in, shoves her entire head underwater) to ingests salt water so she can vomit them out, thus saving her life.

Unfortunately for Melanie, however, her would-be good Samaritan is actually a creep who has no problem locking her up in his place so he can toy around with her suicidal tendencies and fragile state while munching on french fries and KFC chicken. Could this man be the raping sicko murdering women every chance they get? Or has Melanie, in her worst luck, just jumped out of the frying pan into the fire with this one, bound to endure another psycho's wrath?

With the film's original concept being a psychological thriller, it's not hard to see that this is the film's proposed little mystery for us and, in all honesty, I could see it working on a serious (or at least somewhat serious) direction but considering this movie's writing and acting being so sporadic, sleazy and off the wall, I'm not surprised to see it cheesed up like the insides of a pizza crust, so much so that it's phenomenal and the fact that this movie had not imploded into a completely unwatchable rancid curdled mess is just mind-boggling at best.

In a sense, Night Killer (1990) is a popcorn movie meant to be riffed for how hilariously bad it is from the cheap and obvious Freddy Krueger cash-in to thespian talents that is limited to overacting or underacting. (notice the lack of "from" and "to" ?) It doesn't look like it's striving to be a competent horror film with a high and creative kill count or scares aimed at the two living brain cells in our noggins that's overworking themselves to make something coherent out of this movie with how much exposition, twists and psycho-babble it cobbled altogether, but what it lacks is made up for the amount of zany energy, laughable set-pieces and the undoubted hammy tone that's just too out there to completely hate. (The key word is "completely")

It's certainly not a movie meant for those looking for a traditional thriller, but lovers of bad cinema, of the so-bad-its-good brand, would see Night Killer (1990) as a strong recommendation that goes so well with a cold six pack of beer and half a brain that's just looking for something to cackle at.

Bodycount:
1 female ran through the gut with a clawed glove
1 female had her throat cut and her gut ran through with a clawed glove
1 female ran through the gut with a clawed glove
1 female ran through the back with a clawed glove
1 male stabbed on the groin with a butterfly knife, shot dead
Total: 5

Tuesday, November 5, 2019

Gotta be patient now...

Halloween might be over, but in a few months it'll be year 2020. And you know what's coming in 2020?


Yesssss....

Oh, and Godzilla vs Kong (2020), too! Let's not forget that!

Thursday, October 31, 2019

Golden Title: The Omen (1976)

Let's celebrate Halloween 2019 with a classic.
The Omen (United Kingdom/USA, 1976)
Rating: *****
Starring: Gregory Peck, Lee Remick, Harvey Stephens

In Rome, Robert Thorn, an American diplomat, just received word that his newborn child died at birth, a grave news that is not only distraught to him but will surely crush his wife, Katherine. Hence when a well-meaning priest offered Robert a chance to adopt a newborn child whose mother died during an operation, he is quick to accept the child as his own, naming him Damien, and his wife was none the wiser.

Five years later, not long after Robert gets appointed as the US Ambassador for Great Britain, the Thorns find themselves in an increasingly frightful predicament as mysterious deaths and events start to plague them, beginning with the moment the family nanny commits suicide during Damien's birthday, claiming it is all for the boy. In fact, all of the sudden strange happenings seem to be linked to Damien and it isn't too long before an unsettling truth will come upon the family, as well as to those who insists on aiding them against a powerful dark force.

A prime example of a quintessential title within the 70's Satanic cycle, The Omen (1976) works its apocalyptic narrative through a more subtle and realistic direction compared to, let's say, The Exorcist (1973), a similarly religiously themed horror movie that's made effective thanks to its shocking blasphemous visuals. The Omen, alternatively, focuses more on downplaying the typical onscreen demonic horror elements of nightmare imagery and underworld monsters, in its place instead is a strongly orchestrated sense of helplessness as its plot implies that the Devil's forces may have already got most, if not all of the cards played in the favor of the Beast right at the beginning of the movie, while those who choose to fight against them are doomed to die while their God remains distant or absent.

It's a particularly powerful notion and The Omen (1976) captures this quite intriguingly through its story's flow, starting everything up with good fortune falling upon the Thorns only for it to slowly crumble down as one accident and odd occurrence pressures the family to seek help from both conventional and unconventional ways, leading to either a ghastly death or a revelation that defies rational explanation and leans more on the prophetic. It's this direction that the film revels at and to a good effect, as it eventually questions how much control do our protagonists have to begin with and where exactly does the line draw in regards to what is nothing more than a phase or a pawn to a grand cosmic scheme, which in this case is the Apocalypse as indicated in the Christian Bible. This Biblical concept is justly explored, but done in a way that doesn't feel overly pretentious and still caters to a wide array of horror hounds like you and me.

One of the movie's memorable elements, for example, leans more on the exploitative side of horror as it tackles smaller omens indicated through a photographer's collection of photos they took during Damien's birthday. A lot of these results to well-executed Rube Goldberg-inspired set-pieces that executes victims in spectacular manners, pretty much a precursor to Final Destination movies. (In fact, Final Destination 3 (2006)'s idea of omens through photographs was directly inspired by this movie) Gothic overtones are also strong in this movie's cinematography, done mostly through location shots and gloomy stylized lighting. Add on the Oscar-winning score by none other than Jerry Goldsmith and the effectiveness of The Omen's dark tone is very much achieved.

In terms of talent, The Omen (1976) boasts quite a casts for a horror film with Gregory Peck bringing all he can to the table as the leading man, playing a character determined to dig out the truth yet still holding on to a grounded view to his situation. Young Harvey Stephens, playing Damien, would also become one of the most memorable horror icons to grace cinema, odd as the child barely uttered a word nor did he did anything gradually evil but his very normal appearance contrasts his grim fate as the Antichrist, unsettling at best as one could never tell, reflecting the written deceptive nature of the Devil himself.

All in all, The Omen (1976) is a classic that earned its place among horror giants. Past the religious connotations and the over-the-top deaths, it is a story that can very well transpire in real life as a possibility, questioning fate and control at a terrifyingly psychological manner, thus a true treat for all genre fans, both in and out of the horror community.

Bodycount:
1 baby died during birth, later revealed due to head trauma
1 female hanged
1 male impaled by a broken-off lightning rod
1 unborn child miscarried
1 female pushed through a window, lands on an ambulance
1 male decapitated by a projected glass pane
1 female stabbed with a fork and knife
1 male shot
Total: 8

HAPPY 2019 HALLOWEEN! (AKA, What am I watching this year. Again.)

Welp, it's October 31st here in the Philippines! That means absolutely nothing unless you're age 10 and below which, in that case, would mean afternoon Trick'r treating and a week off school.

For me though, IT'S HALLOWEEN!
Yes, Polly. Dance. Dance.
And as someone who's practically an adult living in a country that doesn't recognize Halloween as a holiday, I mostly celebrate this by making blood pacts with Lovecraftian gods watching spooky movies from years old and new! So today, I decided to share with you my picks for my annual Halloween viewing! From a back-to-back Holiday slashers to a cavalcade of carnage clowns, let's begin my picks with:

Hell Fest (2018) and Haunt (2019) - Preferably seen back to back, these two back-to-basics slashers follow anxious final girls and their friends venturing off to Halloween events only to meet foul ends at the hands of some very whacked-out psychos. Both films have their share of gore and scares, but what sets them aside from one another is their atmosphere; while Haunt seems to be going for a more grungy and claustrophobic tone with its titular haunt and ghoulish proprietors looking so clunky and cheap (with a good reason), Hell Fest has this Hitchcockian feel to it as it relies on stalking scares whenever it ain't goring it up the vast, open spaced Hell Fest that is the unknowing stalking ground of a random maniac. Whichever you want to start with depends on your mood!

The Witch (2016) - Looking past the Ye Olde English scripting, this supernatural "New England Folktale" is strong on the brooding department and nightmare imagery as a 1630s farming family gets terrorized by a plague of disappearances, hexes and death, seemingly perpetrated by a witch in the woods. Very atmospheric, gloomed to the grinded baby bones and downright fuckin' creepy.

Terrifier (2017) - A notoriously brutal slasher flick that'll give them coulrophobics and casuals alike a bad taste in their mouths, while rewarding us gorehounds a simple yet satisfying bodycounter as we follow Art, a demonic mime with a penchant for hunting two teenage girls at Halloween night and slaying whoever happens to be in the way just for the laughs. Make sure you're not squeamish!

Killer Klowns from Outer Space (1988) - From one killer clown to another, though this one's cheesy affair would come as a welcome mental palette cleanser for those who're probably got fucked up by Art's ole' antics above. (Or not, depends on your ground, I guess) As a sort-of parody of The Blob, a spaceship full of clown-themed aliens arrives on Earth and wrecks havoc on a nearby small town, killing people left and right with cotton candy guns, popcorn monsters and man-eating shadow puppets. Who can stop these creatures? Why a couple of teens, of course!

Zombillenium (2017) - An animated flick based on a French comic book series, following a human health and safety inspector unwillingly becoming a part of a horror-themed amusement park he was assigned to, where real monsters reside in plain sight, after dying and returning as a demon. He now must find a way to escape the park to reunite with his daughter, but with his new monstrous form, how can he? A bit cheesy on the plot, but it has a lovely art and adorable characters (some of which has bouncy monster boobs. hurm), plus the animation is just beautiful at times!

Dave Made a Maze (2017) - A bit of a wild card, this surreal fantasy flick may not be overall horrific, but it does feature enough Minotaur monster action, nightmare situations and paper "blood". Thanks to "reasons", a normal dude with self-esteem problems named Dave somehow made a working maze (well, more like a labyrinth) out of nothing but cardboard, tape and probably other things lying around in his apartment. On the outside, the maze look more like a cardboard castle, but once Dave's girlfriend, friends and other random folk decided to step in to find him as he claims to be stuck, they're in for a huge surprise! Weird as hell, but it has that underlying warmth to its story. And then some.

The Devil's Candy (2015) - What's a Halloween without a little heavy metal and murder? This cult classic has a struggling painter and heavy metal enthusiast Jesse moving to a rural farmhouse with his family, not knowing about the apparent demonic forces residing in it and a dark history that's about to repeat itself. Demon worship, rock and roll, and gory kills, what more can you ask for?

Halloween III: Season of The  Witch (1982) - The runt of the Halloween franchise litter that most of us owe an apology to, this genuine cult favorite stood its ground as one of the more unique Halloween horror films out there for its outrageous concept of evil druids working as business men, plotting a mass genocide of children through cursed Halloween masks, a bit of science and an annoying TV commercial and jingle. And with Tom Atkins in the leading role, why the hell not?

Halloween (1978) and Halloween (2018) - And, of course, why not the classic? But wait! Why watch the classic alone when you can do it back to back with last year's welcome contender, Halloween (2018) ?! Watching the night he came home all the way to the night he came home again back-to-back is one of the finest Halloween treat one can indulge in thanks to just how good and fitting the sequel is, exploring post-trauma stress and its effect with everyone involves while still keeping the bodycount scoreboard high in the digits. Start off slow and steady with the original, before ending it swift, cunning and bloody with the modern sequel, can't go wrong there!

~~~
And there you have my list of watchables this year! Something creepy and kooky, mysterious and spooky. And now, if you would excuse me, I gotta go be ooky. Stay safe now and have a...

H A P P Y  H A L L O W E E N!!!


Also, who else is excited about Halloween Kills in 2020?

Stale Treats: Trick (2019)

Trick (2019)
Rating: **
Starring: Jamie Kennedy, Omar Epps, Tom Atkins

From the folks who brought us the watchable 3D "popcorn buddy" My Bloody Valentine (2009), Todd Farmer and Patrick Lussier, comes this sizable bodycounter that's determined to make a name for itself (and by "itself", I mean its killer) by aiming to be more than just a brooding dead teenager movie with a masked killer. All I can say to that is don't strain yourself too much on that determination coz you might slip a disc and hobble yourself!

Guess what? It slipped and hobbled.

Trick (2019) opens in Halloween 2015 at Benton, New York, where a group of drunken high schoolers are partying it up at someone's house, only for the debauchery to go bloody in bits as one of the costumed teens, a Patrick "Trick" Weaver (Thom Niemann), suddenly goes psycho on everyone there, killing five, injuring plenty and eventually getting a fire poker shoved into his gut.

The attack leaves Trick catatonic for a while until Detective Mike Denver (Omar Epps) decides to do a one-on-one with the terror teen at the hospital, unknowingly awakening something evil within the spree killer that leads to yet another round of murdering through out the halls and corridors before Denver and Sheriff Lisa Jayne fill Trick's guts with hot lead, causing him to crash and fall through a high rise window. And yet, upon checking, his body is nowhere to be found and blood trails seem to indicate our killer wandered into the open waters nearby where many assumed he drowned or froze to death.

A year later in Halloween 2016, a new series of killings plague another New York town and the perpetrator is described to be donning the same face-paint and black hoodie Trick was wearing the night he went nuts. The same spree killing happens again in 2017 Halloween at another New York town and this puts Detective Denver in a Samuel Loomis mindset, blaming it all on Trick who he very much believes is still alive and, most importantly, an embodiment of pure evil. When Trick personally went after him and two federal agent during Halloween 2018 in yet another New York town, Denver is kicked out of the FBI when the attack resulted to two federal agents dead, thus further fueling his increasingly crazed obsession on apprehending the elusive killer.

And in we go to the present; with Halloween right around the corner again, Denver remains alert for Trick's return and he soon gets what he wanted when a body's found in Benton with its blood used to write the detective's name on a wall. It seems Trick, now a modern urban legend of sorts, is back to his old home town and he's ready to raise his usual brand of hell through bloodshed and mayhem, now with an added goal of finishing off those who stopped him in the past.

I can try to be forgiving for Trick (2019) as I really wanted to like this movie. It has potential, I can see that; the opening stab-a-thon was a nice juicy start and I do like the fact that this movie is attempting to make us think that there's more to our killer than just being another guy in a store-bought Halloween mask. Hell, I would even say that the twist in the last act is kinda clever, if only everything else about Trick (2019) isn't so boring.


The problem first rears its ugly head when the film decides to shove its double-digit killing skills in our faces for the first half hour, right after it somehow reenacts an abridged version of Halloween (1978). (Kids goes on random killing spree, taken to clinic, kid goes on another killing spree, gets shot multiple times and falls off a window only for their body to disappear. Everybody else is seeing the comparison, right?) The movie basically fast forwards itself to the present by showcasing a kill or two (Or three. Or four...) each year while the script proceeds to be feed us all the usual pretentiously cliched doomsayer /disgruntled cop/Ahab archetype quotes, something that could have been done for the sake of showing off how "cool" Trick can be as a killer. Usually, I'm okay with slasher villains snuffing out random folks to boost up the killcount but Trick (2019) handles this mostly in a lazy and hardly creative manner, seeing a good bulk of these murders are just showcasing offscreen disemboweled victims and our killer going crazy with the knife stabbing. That's twenty something minutes wasted on lazy murders where it could have been used for more creative exits like that one decent SAW (2003)-inspired noose set, or something useful like, I dunno, proper character and plot development since a part of this movie is trying to be a mystery thriller? (What good is a mystery when there's hardly anyone interesting?)

The rest of the movie fares little better; right after it is made evident Trick is back to his home town, the story cycles through a stalk-kill-chase loop that doesn't go anywhere new, still interjected with one or two predictable scripting that further kills any actual sense of dread and scare until it all accumulates to its goofy yet okay twist reveal that tries to be relevant with its talk of internet fame and the nature of violent criminals. Would have worked if I gave two shits about the story at that point.

This leaves Trick (2019) feeling overly shallow and contrived as a proposed "slasher-noir", absolutely lacking any genuinely likable traits to stick around for, this including our killer whose only bankable features include him able to kill fast, his face is painted and his knife has his name carved on it. There is this supposed mystery behind Trick's apparent supernatural nature but all they did to imply this is to make him teleport. Teleport. Have you seen Valentine (2001)? Night School (1981)? Friday The 13th Part VIII: Jason Takes Manhattan (1989)? Especially Jason Takes Manhattan? Them teleporting slashers are old hat, my friend, so the least the producers could have done is try to play more around other supernatural tropes rather than making a limber Michael Myers clone.

To be fair, Trick (2019) is at least competently shot, though some of the shaky cam effects get pretty damn annoying at times. A few of the murders do get my seal of approval, like one that involves a tombstone. Its absurd scripting is also near parody (Just how much Loomis can you get, Mr. Detective?) so I guess the film could still work as a bad yet cheesy fun slasher to chortle at, so long as one will overlook its underlying mystery thriller jig. I can't hate this enough to call it garbage, but I ain't that forgiving neither, so do what you want with Trick (2019). It's your damn money.

Now, if you would excuse me, I have a meeting with more competent murder mystery slashers. I think I'll start with Knife + Heart (2018)...

Bodycount:
1 male repeatedly knifed on the gut
1 male repeatedly slashed with a knife
1 female repeatedly knifed on the gut
1 male had his throat cut with a knife, bled to death
1 female knifed to death
1 victim seen dead with a bloodied face
1 male had his throat slashed with an angled bonesaw
1 male gutted with an angled bonesaw
1 male knifed on the gut, throat sliced with a knife
1 female knifed to death
1 male repeatedly knifed on the back
6 victims mentioned found dead
1 female seen with her throat mutilated
1 male seen murdered
1 female seen murdered
1 male seen murdered
1 male decapitated with a weighed steel cable noose
1 female knifed to death
1 male seen murdered
1 female had her head smashed off with an industrial crane-swung tombstone
1 male knifed to death
1 male knifed on the head
1 female found disemboweled
1 male knifed to death
1 male found disemboweled
1 female bled to death from a cut throat
1 male knifed on the gut, falls and lands unto a car
1 male shot on the head
1 male knifed to death
1 male repeatedly knifed on the gut
Total: 35

Thursday, October 17, 2019

Ain't Nothing Great Here: Pumpkins (2018)

Pumpkins (United Kingdom, 2018)
Rating: 1/2
Starring: Dani Thompson, Craig Edwards, Maria Lee Metheringha

What rubbish.

Shite here is about a farmer who obsesses over his pumpkin patch and with the help of his live-in niece, has been creating some sort of pumpkin growth formula which he regularly sprays over his gourds. One day, a pair of wannabe punks have nothing to do so they opted to do the douchey thing of Sharpie-ing doodles on the pumpkins, an act so heinous that it freaked the old fart into a heart attack, upturning a canister of pumpkin growth formula as he falls to the dirt.

Next thing you know, the formula somehow gave the pumpkins sentience, one of them latching unto the farmer's body and transforming/resurrecting him into a pumpkin-headed killer. Niece sees what his uncle becomes and is rather okay with it (?!), so much so that she even gave him a knife and unleashed the freak to the country side so it can continue murdering random folks, from campers and wilderness survival class to boozed up hicks and few other unnamed casualties.

Oh, and I think it's Halloween because...pumpkins.

I can tell there's some imagination put into writing for Pumpkins (2018), especially seeing that the gourd-headed killer isn't the only threat in the film and little meat-eating Jack-o-lanterns gets a Critters (1986)-inspired treatment as they menace some of the victims, but the direction put into the film is just a dreck from beginning to start.

Like most low-budget shot-on-video atrocities, Editing is obviously cut-and-paste, scored with a soundtrack that attempts to be vintage but more or less ends up sounding "aged" in a barely appreciated way. Acting is a lot to be desired for just about anyone on screen here and so goes to the script they have to utter out much to our dismay, making the already lean "killer in the woods" story a tedious one to watch with hardly anything rewarding to pay us back. And what I meant by that is that the kills are mostly done offscreen, gore effects are a joke and the killer pumpkin man fails to be threatening. Or funny. Or oddly interesting. Or matter in regards to existing as they didn't even get to go through a worthwhile climax because there isn't any. (If there was, I couldn't tell. Or was the killer just walking away the climax? In case it was, that's how bland this travesty is so, yes, nothing rewarding)

If the kills and attacks have gone through more effort, or at least have the story balance out its ideas of having both a humanoid killer and ravaging killer Autumn gourds, Pumpkins (2018) could have been a fun, silly slasher/creature feature hybrid that is at least worth a small rent fee. But alas, even as another low-end throwaway horror film, it sucks.

Bodycount:
1 male doused with acidic spit
1 male stabbed through the groin with a hunting knife
1 male found decapitated
1 female knifed to death offcamera, later seen beheaded
1 male killed offcamera, method unknown
1 male knifed through the throat
1 female knifed to death
1 male stabbed on the gut with a pitchfork
1 female hacked to death with an axe
1 male had his head crushed
1 male had an arm chopped off with an axe, killed
1 female gets a thrown axe to the back
Total:12