Rating: ***
Starring: Lisa Schrage, Michael Ironside, Wendy Lyon
From a masked madman seeking revenge for their sister's death, to a supernatural she-bitch hellbent on winning Prom Queen. Definitely a transition that made no sense but it's here so I guess we just have to roll with it.
Hello Mary Lou opens with a trunk hauntingly opening by itself and warping us to 1957, when the titular nightmare gal was up and alive, enjoying what will be her last prom night after ditching her date Billy Nordham (played by Michael Ironside both as a teenager and as an adult, both with a thinning haircut) to play hooky with another boy in media res of the celebration.

Fast forward to the present, we now have Vickie to focus our attention to as she prepares for prom with good hopes seeing she's one of the candidates for winning prom queen. She has some supporters, a good bunch of friends to hang out with, and a dashing badass boyfriend (who is also the son of Billy, now the school's current principal), but on the other side of the coin, she also has an overbearing zealous mother and the ever-present bullying mean girl/prom queen rival to face along the way. It all leads for the worse when, after rummaging through old school props, Vickie opens a trunk containing Mary Lou's prom dress and tiara, somewhat reawakening the girl from hell as a vengeful specter haunting and possessing Vickie to carry out a bloody massacre from the beyond.
Best described as a mad dab melting pot of The Exorcist (1973), A Nightmare on Elm Street (1984) and Carrie (1976), expect less of the whodunit axe murders and more of the supernatural shenanigans as the teen slasher gig was pushed to the very last third of the run, spending a good chunk of an hour with our leads trying to figure out what is obviously (for us, the audience) causing the weird hauntings. In fact, the only real connection here with the original 1980 Jamie Lee Curtis powerhouse original was that both took place in Hamilton High.

And speaking of which, the teen-kill-fest worked quite well here thanks to the presence and style of our titular killer's rampage, balancing a Freddy Krueger-inspired wit with a Carrie-inspired fantasy-based killings like a cool locker crushing (with bonus soapy brains) and a wicked "shroud attack" that teases just in the right way. Under that note, the character of Mary Lou Maloney also comes out as a rather underrated villainess whose limited screentime didn't do enough justice with what can be done for this character. (From what we can tell from the opening act and the scenes when she had taken over Vickie, she's a real number as a nightmare date big on the evil personality. Thankfully, we get to have more of Ms. Maloney as an active baddie in this series' only true sense of a follow-up, Prom Night III: The Last Kiss, but that will be a story (Or review) for another time. )

These, of course, did little to dent the movie as an entertainment piece and I find myself liking it enough to tolerate the bad acting and bad cheese. A supernatural slasher with a goofy yet serviceable mock-up of all things weird, cheesy and 80s, Hello Mary Lou: Prom Night II just requires a lot of patience and an open taste to enjoy. Have these ready on your head and you're bound for a fair time with a hot 1950s prom angel from hell!
Bodycount:
1 female set ablaze by a bomb wick
1 female hanged by an elevating shroud
1 male stabbed on the face with a crucifix
1 female crushed inside a flattened locker
1 female crashes through door
1 male electrocuted
1 female impaled by a falling light fixture
Total: 7
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