Rating: ***
Starring: Simon Rex, Shannon Brown and Jim O'Heir
Not wanting the infamy of having a serial killer father tainting their already lackluster lives screwing teachers of the night and smoking the devil's lettuce, step-brothers Trent and Joey Modine decided to haul ass to a town called Mooseheart to start anew, get their shit together and maybe even make a honest living to better themselves.
Easier said than done, though, when the supposed All American Dream town is more of an all American dumpster fire with overly excited cops inching to do cavity searches, small town politicians getting on each other's throats and intolerable trailer trash making up the majority of the headcount. Nonetheless, the brothers make it work as Trent gets a job at a suicide support circle in hopes of impressing a local girl who starred in an infomercial promoting the town, all the while Joey works under Mooseheart's main pumpkin (and weed) supplier Patch as a drug donkey.
All is well until the town's legendary boogeyman, the Candy Corn Killer, suddenly makes a reappearance, coinciding conveniently with the Modine brother's arrival. Not wanting Mooseheart to figure out their less than stellar reputation as the sons of a maniac and have the new wave of murders blamed on them, Trent and Joey have no choice but to figure out who's behind the killings, save the town they're starting to accept as home and maybe, just maybe, smoke a hashful to celebrate a job well done. (Given they survive all of this...)
A stoner comedy at most, a slasher film as an afterthought, Halloweed (2016) is an absurd mix of humor and horror that doesn't quite balanced the "haha's" and the "holy shits" as nicely as it should, but I appreciate the effort done as it does have its moments of lowbrow quippy, cheesy fun and even a decent slasher murder or two.
For half of the film's hundred minute running time, the story focuses on the Modine brothers settling in to the new town and getting around the weirdos living in it, leading up to plentiful subplots such as an election campaign between two manipulative arses brilliantly played by Parks and Recreation's Jim O'Heir and Reaper's Ray Wise, and Joey's drug-selling shenanigans under the literal watchful eye of Danny Trejo's eye-patch wearing wannabe drug lord who kept spewing "he who has the weed, has the power", even dragging along a pot dealer played by, unsurprisingly, Jason Mewes of Clerks and Jay and Silent Bob fame, to help with the operation. It amounts to a what's more or less a series of comedic moments tackling lowbrow topics of gross bodily functions, sexual and gay innuendos, and, yes, weed jokes, though only a handful of these seems to hit their marks on the laughs, while the rest kinda fizzled out for how over-the-top and desperate they feel. Fortunately, Shannon Brown and Simon Rex did a swell job on comedic timing and delivery as Trent and Joey respectively, with Trent being the straight man to Joey's immature and giddy personality, both actors giving their best to make these brothers be the hilarity that mostly carried the film.
Things do get a lot better once Halloweed (2016) finally goes hack'n stab on us on its second half, kicking it off with a decently fun scene in a courthouse wherein one of the politicians gets a surprise visit from a killer donning a baby mask and full grown onesie, somehow pulling in all the good ropes of a cat-and-mouse chase and even throwing in seemingly supernatural hints with doors opening and closing by themselves and hauntingly devilish baby giggles echoing throughout the empty halls. Cue in the murder mystery angle as we learn of the town's history with a maniac who terrorized its citizens back in the 80s, somehow evading capture over the years, and I do get the vibes that this film is aiming to be a little smarter or wittier with its humor by going meta on us suddenly, name-dropping horror movies left and right, though it never took the horror itself too seriously, going as far as having this angle play second bananas to a romantic comedy plotting between Trent and his love interest. This means that the slashings are kept to a bare minimum after the initial attack and the slayings that come after are hardly on the creative side, but the comedic flow of the whole thing works nicely enough and the goofiness of the killer's get-up and how our heroes try to save their skin (and the town) without actually doing much in terms of confronting the goon did got a decent chuckle out of me.
As stoner horror comedies go, Halloweed (2016) is watchable. Even more so, perhaps, if you're in a recreational state during Halloween (Yes, this is also a Halloween movie. Hardly felt like one but, yeah...) It's far from the best example of clashing marijuana humor with masked maniac massacre mayhem, but it works close enough to being a worthwhile viewing, given you don't mind the obvious low budget and the low blow running gags.
Bodycount:
1 male executed via electric chair
1 male knifed to death
1 female knifed to death
1 male gutted with a knife
1 male killed with a knife, mostly offscreen
1 male knifed in the side, bled to death
Total: 6
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