Rating:****
Starring: Ilona Elkin, Nicolas Wright and Neil Napier
Cult favorite Maurice Deveraux, oh how I love this guy! When it comes to low-budget slasher flicks, he shows creativity and pure knowledge on how to make it all work. While $LA$HER$ showed his prowess around a tight-budget, End Of The Line is a more ambitious work, a daring leap for the sub-genre and one of the most enjoyably shocking slashers in the new millennia.
Coming home late from a hospital shift, a young nurse named Karen, along with a few other passengers get stranded in a subway with some members of a religious (and apparently world-wide) cult. At first, these cult members were very friendly until they all receive a message from their leader who is simply known as "The Reverend", ordering them to "Do Your Duty". This sets off the cultists to "save" as many people as possible by killing them with daggers disguised as crucifix and medieval swords. As the survivors race away from the deranged cult, they also came across chilling visions of demons that may, or may not, be real.
End of The Line stepped into a more thought-provoking position that questions both religion and irreligion, as Deveraux explore this "political" (as I see it) agenda with a neat twist of horror. While the plot isn't entirely new for a slasher movie, no other title has gone to such epic lengths as the religious fanatics here appear to be widely spread, which is unsettling once you realize they are one twisted sense of faith and hope away from snapping and "preparing" themselves for an upcoming apocalypse.
Production-wise, there's a commendable amount of budget used for the entire run; the subway location, also not entirely new if you've seen Britain's Creep (2004) or Guillermo Del Toro's Scifi creature/slasher hybrid Mimic, turned out to be an effective backdrop for the story. Darkened by a blackout caused by an "Apocalypse", the tunnels become an abyss where anything and anyone can come out, a perfect set-up for the movie's use of Asian-horror inspired scares. The special effects department boasts some great gore effects and impressive looking demon designs. Acting's a little so-so but this is expected from a film filled with no-name casts, though a few of them did stood out. (Robin Wilcock as the sexually repressed young cultist, I'm looking at you!)
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Bodycount:
1 female jumps unto an incoming train
1 male had his throat slashed with crucifix dagger
1 female stabbed to death with crucifix dagger
1 female stabbed on the gut with crucifix dagger
1 male gets a crucifix dagger to the heart
1 boy had his head bashed with crowbar
2 males found hacked up with axe
1 male nearly beheaded with sword
1 male gets a crucifix dagger to the gut
1 pregnant female disemboweled with a crucifix dagger
1 baby aborted
1 male gets a crucifix dagger to the chest
1 female gets a crucifix dagger to the back
1 female had her face shattered with hammer
1 male had his head split open with axe
1 male gets a hammer blow to the head
1 male gets a crucifix dagger to the back
4 males commit suicide via pills
1 female gets a crucifix dagger to the gut
1 male gets a crucifix dagger to the neck
Total: 24
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