WARNING: THIS BLOG CONTAINS BODYCOUNT. HIGH RISK OF SPOILERS. ENTER IF YOU DARE.

Saturday, December 10, 2011

Golden Title: The Shining (1980)

The Shining (1980)
rating: *****
starring:  Jack Nicholson, Shelley Duvall and Danny Lloyd

Cabin Fever never looked so clean and sounded so quiet until the fall of the axe and the screams of the doomed.

Hoping to get some peace and quiet while he works on his new novel. Jack Torrance (Jack Nicholson) accepts the caretaker position for the infamous Overlook Hotel despite the manager's warnings of that of a previous caretaker who went crazy and went on a murder/suicide spree, Jack still accepts the position.

Joining him for the job is his wife Wendy and his son Danny; as they are toured around the hotel, their guide and chef, Dick Hallorann (Scatman Crothers), realized that Danny has the ability to see things and talk telepathically, which he called "Shining". Danny asks if there is anything to be afraid of in the hotel, Hallorann assures Danny that though the hotel itself can "shine" its darkest events, it is rather harmless.

However, what they didn't expect was Jack's descent to madness as both cabin fever and the dark supernatural influence of the hotel itself began to take over his sanity. In any time now, he will snap, and his family have no choice but to try and survive.

There's very little words to express the beauty of this film; it's both a feast for the eyes and the mind's eye, boasting stunning cinematography and simple yet very brooding images that foreshadows a lot. The single car in the opening sequence can be seen as a man, alone in the untamed world, who will later be driven insane enough to murder his family. The labyrinth? See it as the confused line between the sane and the insane. The Overlook hotel itself is also a nice backdrop on the film's theme of isolation; every part of the hotel worked perfect in bringing out paranoia and gloom.

It's a thinking man's horror,  with its subtext of true horror lying not in viscera or jumps, but of an unsettling mood, uncertainties over answers and realism despite the impossible. Jack's cabin fever, for example, can happen with or without the aid of the supernatural and Nicholson's performance (and ad-libbing) gave his character more fearsome and unsettling. Even after so many times it is spoofed, the "Here's Johnnie!" line still looked disturbing when put into context that this is coming from a man we all see gone axe-crazy.

Shelley Duvall's performance as Wendy, the passive wife, also came off as very believable. Her looks matches her character, and her frightened yet concerned look shows her both vulnerable but very caring still despite the stressing changes going on with her family. Duvall paid no attention to the looks of her character or  how "little" her role might be, but instead, she kept it real. A realistic fear for a near- realistic situation. Danny, played by young (and ironically named) Danny Lyod, this being his debut, also came of very natural as the young, frightened and presumably dual-personality stricken boy whose trauma from an abuse left him scared and scarred.

Interestingly enough, the film's influenced by giallos and slashers, despite being a supernatural thriller. Kubrick's direction mixes the sensibilities and build of a psychological thriller, the scares and imagery of supernatural horror and a climax that's pure slasher/giallo, complete with a brutal axe murder and a chilling chase scene around a snowbound hedge maze.

Without comparing much from the original novel, Kubrick's vision is undeniably old school but working. I love everything he does to the film.His lighting, his music. his shocks, his shots, the creepy random scenes that treats to us (manbear fellatio, anyone?), I even love the lengthy conversations that our characters get to, even if it leaves us a lot of unanswered questions. I love his ambiguity.

It's a different kind of horror, a horror that reaches out to us, rather than us to it. It had all for everyone, no matter what genre we're used to. It's fear for the sake of fear and scares for the sake of scary. A must-worship.

bodycount:
2 girls seen hacked to death with axe (vision)
1 elderly female seen drowned in bathtub (vision)
1 male axed on the chest
1 male seen with gunshot wound on his head (vision)
16+ skeletons seen (vision)
1 male froze to death
total: 2 (only real deaths) / 22+ (with visions)

See you all soon.

2 comments:

  1. I've come to love this movie more and more with every passing year - great choice for a Golden Title for sure. One of my favorite factoids is that perfectionist Kubrick required EVERY SINGLE PAGE of the manuscript to be hand typed - no Xeroxes or photocopies allowed! Terrific spotlight, Mr. K!

    ReplyDelete
  2. you know what else i found out about them pages? Kubrick also had asked "translated" pages for the foreign release. So if they had then hand type them phrases and fill them manuscripts with that, what more the pain of doing it again? In foreign languages?

    haha, but still, Kubrick's a swell guy. Love Clockwork Orange.

    ReplyDelete