WARNING: THIS BLOG CONTAINS BODYCOUNT. HIGH RISK OF SPOILERS. ENTER IF YOU DARE.

Monday, December 19, 2011

Golden Title: Black Christmas (1974)

Black Christmas (Canada, 1974) (AKA "Silent Night, Evil Night"/ "Stranger in the House")
rating: *****
starring: Olivia Hussey, Keir Dullea and Margot Kidder

During a Christmas party late into the night, at a lonesome sorority house, a heavy breathing man climbs up to an open attic window. The sorority sisters inside were unaware of the intrusion but had their party cut off for a moment when fellow sister Jess Bradford receives an obscene phone call from a recurrent caller they dubbed as "the moaner". After a series of unusual noises and incoherent phrases, another sister, Barbara Coard, jokingly provoked the caller, apparently angering him into threatening them before hanging up.

Another sister, Clare Harrison, is offended by Barb's action and goes upstairs to finish packing for her trip home, only to stop for a moment as she's lured into the attic and be killed by the intruder. He then places her dead body in a rocking chair and began singing to it.

The next day, Mr. Harrison arrives to take Clare home for the holidays but finds her missing from an agreed-upon location; he later went to the sorority house, hoping to see her there. All the while, Jess meet up with her boyfriend, Peter Smythe, and informs him that she is pregnant and wanted an abortion. This upset him but wishes to discuss the situation with her much later. 

Mr. Harrison and sorority sisters Barb and Phyllis Carlson, after finding out about Clare's sudden disappearance, arrived at the police station to file a missing person's report but got easily dismissed, claiming that she's probably hiding with a lover. After Jess informs Clare's boyfriend, Peter Smythe, about Clare's disappearance and police refusing to cooperate, they rushed back to the station to urge Lt. Kenneth Fuller to do an investigation, only for them to find out that a local mother reports that her daughter is missing as well. This forces the station into forming a search party later that evening, with Mr. Harrison, Chris, and the sorority sisters joining in hopes of finding either the girl or Clare, only for them to find a really gruesome discovery.

All the while, the killer starts to pick off the residents of the sorority house one by one as well as leaving more obscene messages to the girls. Jess was left alone when she received one of these calls and called the police about it. Not much later, Peter arrives and argued with her about the abortion, obviously more frustrated and leaves after Lt. Fuller came to discuss the phone calls with Jess. A technician was called in to places a tapping device onto the phone to trace the calls; in addition, Fuller had an officer stationed outside the house in case something happens.

As the calls continue to come in and more of the girls getting murdered, it's only a matter of time before Jess finds out where the killer is really hiding, and it may be too late to save her then...

Debated as "the first true slasher film" (a statement that barely influenced me), Black Christmas taps into the inner fear of the unseen threat with almost every murder done offscreen or cut-away before the actual "execution" takes place and the killer reduced to POV shots, hands, shadows and, the creepiest of it all, a peeping eye. It's almost synonymous to the unknown, with very little details placed surrounding the killer and his reasons for the murders, as well as that he can be just about anybody. For short, he's "less" of a human than most killers nowadays, if you catch my drift; less that he's almost physically absent but his presence is felt all through out and the uneasiness his presence built came of very brooding as we know he's in the sorority house.

The plot's simplistic and relies heavily on mood and atmosphere in exchange of gore and explicit nudity; the winter holiday set-up was indeed a clever choice, matching the film's icy situation when nearly empty streets and isolated houses makes a great excuse to startle and shock. It's the holidays and a murder during the holidays is indeed a big shock for just about anyone, especially for a parent, which this film have not one, but two.

At times, it even let out a few comedic touches to even out the audiences for the upcoming terror; I see this a very smart direction, something to hold us off that kept the scares and shocks fresh.

What this film differs from other proto-slashers was its cast; devoid of the standard stereotype, nearly every girl in the sorority house has a major flaw. Our lead heroine is pregnant and wanted an abortion, one is a heavy drinking loud mouth, and one is a chain-smoking house mother. And while most slashers sticks to the stereotypes, Black Christmas took its time to let the characters warm to us albeit underdeveloped and, at times, underused. They're flawed alright, but so are we, thus making them a bit easier to relate to. 

Over the years, the film arguably influenced a lot of slashers; John Carpenter's Halloween had a lot to owe this film as both are about faceless ghouls invading homes. The influence of the obscene phone calls was also made evident at the Psycho sequel, Dario Argento's The Stendhal Syndrome and the When a Stranger Calls movies. And then there's the rarely mentioned cliche of having a killer hide in closed spaces, such as The Mutilator, Intruder (1989), House in Sorority Row, The Slumber Party Massacre and even a few scenes from SAW. Future "Sorority horrors" sadly lost the same creep factor this film delivered as they decided to dwell on cheese and drama instead; Cutting Class (even though I love this movie) and Splatter University had none of the same creepiness as watching a dead girl's asphyxiated body rock back and forth in front of the camera, or listening to a disfigured voice that sounded like Linda Blair on steroids. I'll tell you this, if only Bob Clark was to keep his flame, he should had done more horror flicks when it was still fresh. Now? We had to sit through shit like Baby Geniuses and Karate Dog.

So, if you got a kick for horrid holidays, then this film is just for you! If Black Christmas doesn't make your skin crawl...it's on too tight!

bodycount:
1 female asphyxiated with plastic sheet
1 female gets a crane hook thrown to her head
1 girl found murdered (body not seen, but implied)
1 female repeatedly stabbed with glass unicorn
1 female killed offscreen, later found hacked to pieces
1 male found with throat cut
1 male beaten offcamera with fire poker
total: 7

Agnes? It's Billy...Don't tell what we did...

2 comments:

  1. Yeah, it's definitely considered a classic - but while I appreciate it - it's not at the top of my list. I'm glad you like it, though! I do have to ask, though - have you seen the other horror and suspense movies Bob Clark directed? Deathdream; Children Shouldn't Play with Dead Things; or Murder by Decree? They're all excellent - and help us forget those last few crap movies the guy was stuck doing before his untimely death. I worked with Bob Clark twice - once on the sequel to A Christmas Story, and on a women's channel TV movie called Secrets from the Rose Garden - and do you know he was still working with some of the same crew members who'd been with him on Black Christmas and Deathdream? That's loyalty right there. And Mr. Clark was a very cool man. Cheers!

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  2. Hmm, actually, i hadn't, but I did saw his earlier attempt, a little EC comics-style horror flick called Dead of Night. That one came in as a surprise, never knew it what that good!

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