rating: ***
starring: Donald Pleasence, Paul Rudd and Marianne Hagan
What I hate in a movie sequel is when it refuses to let go of it's predecessor and what I meant by this is whenever I watch a sequel, I'm expecting another saga or twist, have it nearly cut off from the events of the previous installment, which is a reason why I gave favorable ratings to Hostel II, Cabin Fever II, Scream 3, Children of the Corn 4: The Gathering and, yes, Halloween 6, the latter I'm proud to call my second favorite Halloween sequel ever made.
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Then comes my curiosity for the famous Producer's Cut, which was described by a fellow blogger as "more Thorn". Now, I never really cared for the Thorn Cult element and the only thing I did like about them was the semi-twist in the theatrical release wherein they're revealed to be not real druids, but more of scientists experimenting with the DNA results of a man cursed by magick. What further made me think twice on seeing the Producer's Cut was also the point that only eight murders were committed, meaning something about this entry may had done more talking than killing. So far that never was a bad thing for a slasher, as I do have my share of good fave "talky" titles, but coming from Halloween, a franchise that spent both of Michael's 80s and 90s return with lots of boring talks, I feared for the worse.
Still, Producer's Cut or not, a slasher's a slasher. And it beckoned for me.
Same as the original Halloween 6, the Producer's Cut still focuses on Michael's return to Haddonfield years after being captured by the Thorn Cult. Though the theatrical cut had Michael killing off his niece, Jamie, early and spends his rampage looking for Jamie's baby, the last of his bloodline that he must kill under his apparent curse, the Producer's Cut took more time trying to flesh out what happened in between this movie and the previous installment, mostly involving the cult and Jamie being a tool to the cult's ritualistic worship of slaughter.
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I would be thrilled by this revelation but it has some parts that didn't cut out for me. For instance, I kinda saw it coming: Michael was shot multiple times (two of them, mind you, was through his eyes!), stabbed, set ablaze, and yet he lives and come back for the next year, all patched up as if his parts were made out of replaceable car parts. Clearly, he surpassed mortality and he's now Jason Voorhees with some Celtic magic flowing in his veins. This movie, or at least this version of it, milked this angle all too much for me that it really missed a lot of action and had gone more of a semi-intellectual thriller for most of its running time. I'm all for fun nights of quiz shows and family games, but when I lock myself in my room to watch a horror film, I expect a lot scares, blood, action or thrills, and H6 Prodcuer's Cut only has half of it.
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More magic, less slaughtering, H6 Producer's Cut was a deserving cult classic of its own, just not mine. No, I prefer Michael to be slaughtering doctors, pushing heads through bars and pin a guy to a fuse box until his head explodes like a potato. Michael deserves to be less explained and feared more because he is The Shape. He defies explanation...
Bodycount:
1 female had her head shoved to a spike
1 male had his neck broken
1 female hacked with axe
1 female shot on the head
1 male pinned to a fusebox by a knife through the gut
1 male knifed repeatedly to the gut
1 male had his throat cut with knife
1 female stabbed to death with knife
total; 8
This is one of your best write ups, kaijinu. Good stuff!
ReplyDeleteI've not seen the Producers Cut of this, as I disliked the theatrical version. I remember Joe Chappelle (I looked his name up this time since I couldn't be bothered to do the same with McConaughey last time) raving about how great this movie was going to be in Fangoria. I think when you have to deviate so far from what made the series great, it's time to stop, or take your story and make it something else entirely.
exactly. That's exactly why I love Friday the 13th and A Nightmare on Elm Street the most when it comes to series. They imagine and experiment, making each entre an entirely wild course.
DeleteGreat write-up!
ReplyDeleteWatched this back to back with the original cut and thought that both versions are very mediocre. Some awesome new stuff here, but the ending is just terrible IMO (although we get to see more Pleasence).
Terrific review - I think this one edges out the other - if for no other reason a better ending for Dr. Loomis and more screen time for the late great Donald Pleasance.
ReplyDelete