WARNING: THIS BLOG CONTAINS BODYCOUNT. HIGH RISK OF SPOILERS. ENTER IF YOU DARE.

Tuesday, June 2, 2015

It Does Not Give Up: It Follows (2014)

It Follows (2014)
Rating: ****
Starring:  Maika Monroe, Keir Gilchrist, Olivia Luccardi

Just when you thought horror flicks are becoming more recycled nowadays, something like It Follows happen. It's not a slasher, but it knows how to be influenced by one and churn up what it learned for its own good.

Opening with a random girl in a panicked state, we see her run in and out of her own house before driving off to the beach. There, she calls her father and says her goodbyes as something unseen made their presence known to the girl. By morning, she is dead, with her leg mangled up in the most shocking visage.

Could the fate of the girl on the left be the same for our
mellow heroine on the right?
We then switch our attention to Jay, a college student in Michigan who's as normal as any teenagers can be, loves to swim, hang out with her hipster-esque friends and her boyfriend, Hugh. The two eventually hooks up and have sex in an abandoned building one night, an event that is, apparently, for the worst.

It turns out that, by doing it with her, Hugh just passed a curse to Jay. The curse takes form of an entity that stalks the last end of the chain with an intent of killing him or her, before going back to the ones who passed it. Only those who are cursed can see this entity and, to make matters more complicated, it changes its appearance to any person of age and/or gender.

Jay is eventually left to fend for herself against this entity, who had now taken its close chances to kill her off, first hauntingly across her campus' hallways (in broad daylight! with people!), and then later at her own home. When the attacks place Jay at her limits, her friends took notice and helps her out with what could be a real phenomenon. Surely enough, they themselves saw what the entity is capable of and it is only a matter of time before it gets to their friend. With very little options in stopping the creature and now with her friends on the line of danger, Jay has no choice but to find a way, any desperate way, to stop it.

You have no idea how many time looking back
saved this girl's life.
The best way to describe It Follows was pretty much said by most reviewers out there; dream-like. This is no surprise as writer and director David Robert Mitchell got the idea of this film from a recurring nightmare he had when he was younger, wherein he is similarly stalked by an unseen creature. Due to this, much of the film’s execution dwells on the curious side; there is a nightmare logic-like aura surrounding the whole premise, with no clear indication to when the entire film took place (it’s “now” but with black-and-white vintage horror being played in a 50s style TVs and a futuristic eBook reading device that looks like a cross between a Smartphone and a girl’s powder kit) and the unwavering focus on the teenagers turned adults into disembodied voices, background on-goings, and forms the entity takes.

Many may say that the film is a metaphor of teenage perspective, which is all not that far from the truth as themes of repression and fear of sexual infection are played around, along with other teenage dilemmas such as drug dependency (Jay was given a full meal and a pill at one scene. All she took was the pill) and suicide (Jay, again, running her leg against a blade of grass), though with a lesser extent.  By mixing this hinted drama with the horror of the supernatural, It Follows somehow found a way to make it all work and deliver a chilling and expressive horror film that relies little on gimmick and more on what could make us unnerve, psychologically and emotionally.

The film borrows a lot of elements from other horror sub-genres, mainly slashers and ghost films, to make it as creepy as possible. While the curse angle is obviously a tribute to the supernatural, most of the other influence would be put to use in shaping the entity itself as it behaves quite similar to our human monsters, slowly walking, getting up whenever it appears wounded, and preferring to use its brute strength to do its killings than exploit its own supernatural nature. The very fact that it also changes appearance can come quite shocking and uneasy; in one scene, we see this entity take form of a girl and casually walked in to a theater full of people. One could never expect that it is the entity as the form it took perfectly blends in, and no one will notice until it began hurting and killing whoever it is after.

Comforted by her teenage friends, It took the form of a
familiar adult in the latter act.
With the little to no explanation given to what the curse is and why it behaves this way, the hopelessness of the situation is another working actor that makes It Follows scary. Some of the executions for the attacks did come quite comical, however, but this can be overlooked with the film’s other technical advantages such as the Halloween (1978) inspired soundtrack, shocking visuals, and atmospheric editing.

I can honestly say that this film earned the right to be included as one of the films to beat for modern horror. Interestingly, a lot of our modern indie releases are becoming quite imaginative and skilled, and Mr. Mitchell proved himself with this instant cult classic that he can be a worthy name for this genre. That being said, I am proud to have finally seen this unique take on all things familiar and for those who hasn’t, keep an eye on this one. It’s a keeper!

Bodycount:
1 female killed offscreen, later found mangled
1 male killed offcamera, method unknown
Total: 2

2 comments:

  1. Gawd, I LOVE this movie. It really, really scared the shit outta me.

    ReplyDelete
  2. It's not as scary as The Babadook, though, but it is pretty imaginative, weird, and intense!

    ReplyDelete