Rating: ***
Starring: Kurt Russell, Zoë Bell, Rosario Dawson
Quentin Tarantino is, by now, a household name that will make you cringe, bow down in respect, or simply go "huh"; the man directed amazing films like Pulp Fiction, Inglorious Basterds, and Django: Unchained, but was often criticized for his films' over-the-top violence, controversial subjects, and racial slurs.
Personally, I like the guy; he has presence and knows it, and his films are always something I can look forward to, no matter how diverse and strange some of them may come. This being said, I will discuss a film that many, even Quentin himself, regarded as the absolute worst of his filmography, a little number which was supposed to be a tribute to old timey slashers but eventually evolved into something much "different"; ladies and gentlemen, Quentin Tarantino's
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The story of Death Proof focuses on two gal gangs and a single killer; the first half has us following a group of girls as they take a road trip down to a friend's cabin to a celebrate a birthday and simply have fun. Unknown to them, however, an aging stuntman simply called "Stuntman Mike" have been trailing them with ill intent. One lap dance, one Nacho Grande Platter, and one murder victim later, he succeeds in killing the girls using his own "death proof" muscle car and manages to get away with it seeing there's very little evidence to regard this as murder and the girls have been drinking that night.
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Supposedly a slasher movie with cars, Death Proof (2007) is more of a love letter to the Carsploitation films of the 70s such as Vanishing Point (1971) and Death Race 2000 (1975), rather than that of the heyday classic bodycounters such as Friday the 13th (1980) or Halloween (1978). Still, it work well enough as a horror movie on the first half and the first half only. The best way to describe what transpired there would be Quentin doing his own take of a slasher parody or satire; the victims are loud and obnoxious, the killer (played by Kurt Russell) is a more human and badass take on your late 80s wise-cracking slasher villain, and the murders are reduced to a single scene instead of having them fall upon the targets one by one. It is a gamble of an approach that will either tease away the target audience or entertain them with something altogether new; I personally didn't mind how different it is as the story have atmosphere, thus workable, and the kills are pretty good even if it was done and over way too fast.
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Between the first and the second half, I definitely enjoyed the second most as not only did it perfect the 70s exploitation feel, but it also has the more rewarding payoff from watching these girls do nothing but talk. The direction is handled pretty well and I had more laughs at the simplicity that it is no more than a high octane car chase that, again, fits the carsploitation bill the most.
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The classic Tarantino-style script is still humorous and, once more, the last half of the film is obnoxiously fun enough with its high octane set-pieces and vehicular assaults to mend whatever flaws the first half committed as a semi-misguided would-be horror flick. This being said, I could say Quentin works better with action exploitation than straight up horror.
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I personally believe Mr. Tarantino gave up too easily and I would really like to see him give this fair sub-genre another try, break his own mold and do something entirely different for once. Until then, I will continue to enjoy his Nazi Exploitations, Westerns, Neo-Noirs, and for this case, Carsploitations, and look forward to more of his films in the future.
Bodycount:
1 female smashes face-first against a car dashboard
1 female crashes through windshield during car crash
1 female killed in car crash
1 female had her leg lopped off from car crash, killed
1 female had her face torn off by a moving wheel during car crash, killed
1 male beaten, head crushed in with an axe-kick
Total: 6
Meh - this film annoyed me. QT was all like "I'm doing a slasher film!" and ended up doing anything but. Just hours and hours of dull dialogue.
ReplyDeleteHence forth I challenge him to TRY the sub-genre again!
DeleteLike, REALLY try this time...